By Michael J. Fitzgerald
The award-winning stage musical “Hamilton” is one of those
clever shows that remain cemented in your consciousness well beyond the
confines of the theater and last strains of music.
Nearly a week after seeing the play in San Francisco, the song
“The Room Where It Happens” still rings in my ears.
Lin Manuel Miranda |
It’s not just the catchy hip-hop lyrics, stunning dance
choreography or haunting tunes. It’s how pertinent this Broadway snapshot of
historical events from 200-plus years ago is today.
The life and times of Alexander Hamilton are likely hazy for
people who haven’t been swept up in the mania generated by this musical or
history buffs immersed in the founding of America.
To many people, he’s just the guy on the $10 bill.
But Hamilton was a key figure in the American Revolution,
credited with creating the foundations of our modern banking and financial
systems. He died famously in a duel fought with pistols with political rival
Aaron Burr on July 11, 1804.
That’s an exceptionally bare-bones description of a very
complicated life, detailed in an excellent 2004 biography written by
award-winning author Ron Chernow.
It was Chernow’s book that inspired Lin-Manuel Miranda to spend
six years writing the lyrics, music and pulling together the show that has been
racking up an impressive stack of awards.
But the Hamilton tale reaches far out of the late 18th century
into today’s headlines, featuring a racially diverse cast (reflecting 21st
century America) emphasizing Hamilton’s humble early life and struggles.
He was born on the Caribbean island of Nevis. Illegitimate, and
orphaned in his early teen years, he was a scrappy survivor using his writing
skills to essentially pen his way out of poverty.
The play makes much of his intensity, offering in one pivotal
scene that he authored 51 of the 85 documents we know as The Federalist Papers.
It also points out that Hamilton — and many other key figures in
the American Revolution and among those drafting the U.S. Constitution — were
immigrants.
“Immigrants! We get the job done!” Hamilton and the Marquis de
Lafayette shout at one point in a song. The line gets a huge roar of approval
in every “Hamilton” performance.
Chernow writes in his biography: “He embodied an enduring
archetype: the obscure immigrant who comes to America, recreates himself, and
survives despite a lack of proper birth or breeding,”
The heady victory of the colonists over the British gives way to
darker scenes in the latter part of the musical. Political struggles among
Hamilton, Thomas Jefferson, and John Adams, take center stage.
If you follow today’s news from our nation’s capital, much seems
hauntingly familiar.
Not much has changed politically in the last two centuries.
That the nation’s capital is Washington D.C. — and not
then-favored New York City — is a product of Hamilton’s aggressive politicking.
He engineered a compromise so the federal government would assume states’ Revolutionary
War debts in exchange for locating the capital somewhere in the then-agrarian
states of Maryland or Virginia.
Throughout the musical, Aaron Burr is ever-present, always in
competition, never quite achieving the fame, fortune, or power that Hamilton
garnered.
And Burr jealously competed for attention.
The Burr-Hamilton duel — one bit of American history still
taught in schools — was preceded by a less-famous volley of pistol shots,
resulting in the death of Hamilton’s oldest son, Philip.
Philip’s duel was over an insult spoken about his father by a
political supporter of Jefferson. Philip died from a bullet wound he received
at the same Weehawken, N.J. dueling area where his father would die three years
later.
Maybe one of the most important lessons from “Hamilton” is that
the history taught in most schools is a sanitized version of what really
happened as our nation was being formed.
“Hamilton” is changing that.
Fitzgerald worked for six newspapers as a writer and editor as
well as a correspondent for several news services. He splits his time between
Valois, NY and Pt. Richmond, Calif. You can email him at Michael.Fitzgeraldfltcolumnist@gmail.com and
visit his website at michaeljfitzgerald.blogspot.com.